alpharx7
Post #9383
Was reading some people aren't fussed on the new hero session said it's over priced with quality not so great compared to the hero4 silver. and can't remove battery if it dies. most people are just to fussy. I wouldn't mind one. one day same here, one day. wouldn't mind a dash cam, first and foremost, but that's a one day thing as well I use ACTION CAM-the unconventional choice!<object type="application/x-shockwave-flash" height="468" width="625" data="https://www.youtube.com/v/IFR27NdNtgg"><param name="movie" value="https://www.youtube.com/v/IFR27NdNtgg"><param name="allowScriptAccess" value="sameDomain"><param name="quality" value="best"><param name="bgcolor" value="#FFFFFF"><param name="scale" value="noScale"><param name="salign" value="TL"><param name="FlashVars" value="playerMode=embedded" /><param name="wmode" value="transparent"/></object> 720 or 1080p wolfie? fps? |
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wolfman101
Post #9386
That should be 1080p, 60, I think. Actually, I should have gotten a gopro. The only reason I didn't was the built in "motorsport" features of the Sony..the GPS track recorder and speedo. They are both hopelessly inaccurate, as I've shown many times.... |
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alpharx7
Post #9389
QUOTE "Warner Bros. Pictures and our anti-piracy team have worked tirelessly over the last 48 hours to contain the Suicide Squad footage that was pirated from Hall H on Saturday. We have been unable to achieve that goal. Today we will release the same footage that has been illegally circulating on the web, in the form it was created and high quality with which it was intended to be enjoyed. We regret this decision as it was our intention to keep the footage as a unique experience for the Comic Con crowd, but we cannot continue to allow the film to be represented by the poor quality of the pirated footage stolen from our presentation." - Sue Kroll, President Worldwide Marketing and International Distribution, Warner Bros. Pictures lol @ them for thinking that it wouldn't get out |
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alpharx7
Post #9391
link to story QUOTE Eric Garner's Family Reaches $5.9M Settlement With New York City in Police Chokehold Death Case
Eric Garner's family has settled with New York City for $5.9 million -- nearly a year after the man was put into an apparent chokehold by police in Staten Island and repeatedly said he couldn't breathe, according to the comptroller's office. “Following a judicious review of the claim and facts of this case, my office was able to reach a settlement with the estate of Eric Garner that is in the best interests of all parties,” Comptroller Scott Stringer said in a statement. “I believe that we have reached an agreement that acknowledges the tragic nature of Mr. Garner’s death while balancing my office’s fiscal responsibility to the City.” According to the New York Daily News, Garner's family rejected a $5 million offer last week. The deal comes several months after the family filed a $75 million notice of claim with Stringer's office, announcing their intention to sue. Garner died on July 17, 2014 after he was stopped for selling untaxed cigarettes on Staten Island. He was put in an apparent chokehold and taken down to the ground where he repeatedly said "I can't breathe." The phrase became a rallying cry for protesters who were touched by the case in a series of rallies in the city. Last December a grand jury declined to indict the officer involved, Daniel Pantaleo. In a statement, Pantaleo said that the felt very badly about Garner's death. "It is never my intention to harm anyone and I feel very bad about the death of Mr. Garner," he said at the time. |
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alpharx7
Post #9392
for those people who like the show here's an article about Gas Monkey Garage...... QUOTE Richard Rawlings and Aaron Kaufman of Gas Monkey Garage make up a whole that’s greater than the sum of its parts
Some believe when different but complementary energies converge, great things tend to result. That appears to be happening with Richard Rawlings and Aaron Kaufman, the two charismatic forces who are searing the Gas Monkey Garage brand into the minds of classic-vehicle lovers everywhere. The duo scavenge small towns for vehicles forgotten and forlorn, bring them to their garage in Dallas, give them face lifts and joint replacements, then resell them to delighted new owners. For the past couple years, their madcap exploits have been chronicled by Fast N’ Loud, the hugely popular Discovery Channel program that’s transformed them into globally recognized celebrities. Which is understandable, given their unique personae. Both men glow with the intensity of Klieg lights. Both sport facial hair Rip Van Winkle would envy. And both would sooner leap into the cab of an eighteen-wheeler and tear off to destinations unknown than sit at a desk and watch cute cat videos. Yet the successful showmen are anything but clones. “When it comes to business, Richard is a gambler – and a damned good one at that,” says Kaufman. “While others are wringing their hands over some car-purchasing decision, he is calculating the risk, considering whether he can absorb the loss and making the decision on the spot. “I’m the orchestrator. I’m helping all the mechanics here figure out how to accentuate what’s already beautiful about a car. And along the way, showing the world there are people with convictions about cars and how to build them, and people who follow through on what they say they will do.” THE GAMBLER Was it sheer coincidence or harmonic convergence that about the time the first Pontiac Firebird Trans-Am was rolling off an assembly line in Ohio, Richard Ray Rawlings was being born in a Texas hospital? Since its debut in 1969, the Trans-Am has acquired the aura of the quintessential muscle car. And since his debut that very same year, Rawlings has acquired the aura of the quintessential entrepreneur, assembling a business empire that in addition to the television show includes restaurants, live-music venues, a line of tequila and even a line of clothing. “It’s always been my goal to create a large corporation, to develop a worldwide brand that will outlast me,” Rawlings says. “Today, we are the fifth-largest company in this industry. But I’ve studied the competition and see no reason why we can’t be at the top.” Rawlings’ relentless quest for higher ground manifested early. At 14, he purchased his first set of wheels – a ‘74 pea-green Mercury Comet with an equally eek-green interior. Almost immediately, he traded his way up, driving 10 different cars before finally scoring a ‘77 Bandit Trans-Am during his senior year in high school. As Rawlings acquired one vehicle after another, he also acquired a keen insight into why automobiles are so very important to so many people. “Cars are the perfect representation of the freedom that’s so embedded in the American culture,” he says. “They give us the freedom to spontaneously be with some group…or get away from some group. And, we can customize that freedom to reflect our personality, by throwing our mail and fast-food containers into the back seat or by transforming our ride into a souped-up hot rod.” Giving car enthusiasts a backstage peek at the zaniness connected to transforming a classic truck or automobile is just the latest in a long string of jobs Rawlings has enjoyed over the years. By the time he was 21, he had worked as a paramedic, firefighter, police officer and beer deliver guy. He later used his charm and business acumen to become one of the top printing salesmen in the Dallas area, “but the owner wouldn’t sell the company to me,” he says with more than a trace of disbelief in his voice. “So I decided to build one from the ground up.” Between 1999 and 2004, Rawlings fashioned the Lincoln Press into one of the premier printing companies in Texas. His sale of the company provided him with the seed money he needed to launch the venture that would reunite him with his first true love. “There were lots of television shows about restoring classic motorcycles but none about restoring classic cars,” he says. “And the garages were all about the machismo factor. I thought by not also reaching out to women, kids, grandparents, they were ignoring a huge opportunity. “So that’s what I decided to do. The plan was to develop some street cred, then parlay that into a television program that would show the average person how they could spend $3,000 to transform an old Ford Maverick into something really cool rather than spend $250,000 they didn’t have to create a cool motorcycle.” THE ORCHESTRATOR Enter Aaron Kaufman, the artistic foil to Rawlings’ natural business savvy. Around the time Rawlings was winning such transcontinental races as the Gumball 3000 and the Bulldog Rally – and setting a world record in the unofficial Cannonball Run – he took a ‘53 Ford Mainline to one of his favorite garages and asked them to give it air-ride suspension. Kaufman got the assignment and returned a custom job whose quality surpassed Rawlings’ expectations. “Not only did Aaron show me the extra touches he provided,” Rawlings remembers, “he explained why he provided them. And they all made sense.” So when the Gas Monkey Garage concept began to take form, Rawlings tapped Kaufman to be its chief mechanic. And if a television show came together, Kaufmann would be his on-air sidekick. With that decision, Rawlings found both a master fabricator who would bolster the garage’s integrity and a quirky everyman who would boost the entertainment quotient of every episode. “Aaron brings an extreme work ethic to the mix,” Rawlings says. “He is always challenging himself and the other mechanics to be better at their craft. But he is also a nomad at heart. The garage has literally been his home for months at a time, and I think viewers sense that aspect of his personality and find it sort of cool.” Like Rawlings, Kaufman grew up in North Texas and acquired a love for fast vehicles from his father, who often assembled low-built street racers. He also resembles Rawlings in how he takes any question handed to him and darts off like a sprinter running the anchor leg of a 100-meter relay. But where Rawlings is frequently spontaneous, Kaufman considers himself methodical – sometimes to the point of over-preparedness. “I was the ultimate Boy Scout as a kid,” he confesses. “If we were going to the beach, I would bring three towels – one for me and two for the people I knew would probably forget theirs.” The ultimate Boy Scout wasn’t above rummaging in his father’s unlocked toolbox and using whatever he found to take apart derby cars and reassemble them into something far more interesting. “The advantage of being self-taught is that you learn every wrong way to do something,” he says. “That means you know not only how to fix other people’s mistakes, but also what the consequences will be if you don’t fix them. “We used to be an ingenuity culture. That’s how we got innovations like the iPhone. I find it sad, but I believe we’re becoming a culture that no longer knows how to make or fix things.” However, Kaufman stresses he’s not some wistful Luddite, locked into doing things the old-fashioned way. “Above all, I am a fan of doing things the smart way, and many of the technologies we use here help us do exactly that,” he says “I believe the newer way, with the new technologies, is the best way, so long as it’s grounded in a strong respect for the older way.” Economics and filming schedules dictate that the Gas Monkey Garage bring battered vehicles in, whip them into shape, and buff them for show as quickly as possible. However, Kaufman doesn’t allow the show’s breakneck schedule to compromise his belief that their restorations be both cohesive and flexible. “Given how money, people and schedules shift at a moment’s notice, we have to be okay with course corrections in the middle of a project,” he says. “But I still strive for the headlights to go seamlessly with the door handles, and for those to go with the bumper. A car doesn’t have to look perfectly uniform from one end to the other, but I do want one idea defining its look from front to back. Is artistry involved? Certainly. ButI don’t like to go there, because we have to produce not just a vehicle that’s beautiful, but also a form of transportation for the new owner that’s safe, reliable, and an extension of their personality.” THE SYNERGY The convergence of Rawlings’ passion for building an enviable brand and Kaufman’s love for building an enviable car appears to be paying off. The television show’s sixth season began in March. Two restaurants and a live music venue have opened in the Dallas area and more are planned around the country. A tequila line launched in April and a biography of Rawlings arrived in May. Meanwhile, on any given day, you’re likely to find the facility’s merchandise shop teeming with high school jocks, retired fabricators and biker families drawn to the company’s signature look of leather jackets, work shirts and snapback caps. “We position ourselves as the garage that is accessible to everyone,” Rawlings says. “Our gates are usually open and we are frequently giving tours. When I’m not reviewing financial spreadsheets in the back, or cleaning up dog crap in the parking lot, I’m likely out front, shaking hands. And, we’ve succeeded at marketing the garage to the entire family. We’re telling young men to get off the couch and go dissemble their fathers’ lawn mowers and if it makes their father mad, we’ll buy him a new one. We even have a line of onesies out there we can’t keep in stock.” Rawlings and Kaufman both admit they’ll likely be pursuing new adventures by the time the babies wearing those onesies get their first driver’s license. Kaufman hopes by that point to have made some legacy contribution to the automotive industry and to be building structures that will sustain life in outer space. Rawlings, however, says cool automobiles and savvy negotiations will probably be central to whatever new endeavor he embraces. “I am often the first one to arrive in the morning and the last one to leave at night,” he boasts. “The day I stop having a passion for cars is the day I die.” |
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wolfman101
Post #9393
<object type="application/x-shockwave-flash" height="468" width="625" data="https://www.youtube.com/v/WI3hecGO_04"><param name="movie" value="https://www.youtube.com/v/WI3hecGO_04"><param name="allowScriptAccess" value="sameDomain"><param name="quality" value="best"><param name="bgcolor" value="#FFFFFF"><param name="scale" value="noScale"><param name="salign" value="TL"><param name="FlashVars" value="playerMode=embedded" /><param name="wmode" value="transparent"/></object> lol @ them for thinking that it wouldn't get out Yeah, the hell with those chumps for expecting their IP rights to be respected. fcuk those guys! |
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alpharx7
Post #9394
Yeah, the hell with those chumps for expecting their IP rights to be respected. fcuk those guys! reveal your new trailer at a public event them whinge when someone uploads camera phone footage onto the interwebs. try and shut down the footage for a few days before taking the 'high ground' and releasing the trailer to the general public citing that you don't want inferior quality footage to damage peoples viewing experience. yeah real smart. fcuk them. |
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wolfman101
Post #9395
No, fcuk whoever leaked it. They probably said "please don't show this to anyone ok? This is something that we put together just for this room, and we want you to respect that" or something. Cocksucker goes "fcuk that" and leaks it. What a knob-jockey. "High ground"? Yes, they ABSOLUTELY have the high ground. The only one who did anything wrong in this situation was the leaker. Yes, they were naive to trust in human good nature, but they are 100% in the right. |
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alpharx7
Post #9396
it's not leaked if it's publicly aired wolfie. |
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wolfman101
Post #9397
So what? If they wanted to NEVER release it, that would have been their prerogative, and they would STILL have been in the right. |
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Slav
Post #9405
I think I have fallen in love with Austria. Beautiful scenery,fanastic roads and drivers that can actually drive a car. 180kmh no problems with roads identical to the m1 to the Gold Coast. In no way was that speed "dangerous". Australia needs to ges up to par European countries. I did not see one accident for the 2 weeks I was there. I do miss my car though |
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alpharx7
Post #9409
R.I.P. QUOTE Formula One driver Jules Bianchi dies nine months after horrific crash
French Formula One driver Jules Bianchi has died in hospital, nine months after a horrific crash at the Japanese grand prix. On October 5 last year, 25-year-old Bianchi lost control of his Marussia car in heavy rain and collided with a crane that was removing the vehicle of rival Adrian Sutil. He suffered a devastating traumatic brain injury and failed to regain consciousness. In a statement, Bianchi's family announced he had died in a hospital in Nice. "Jules fought right to the very end, as he always did, but today his battle came to an end," the statement read. "The pain we feel is immense and indescribable." The Bianchis thanked the racing community for their support following the crash. "Listening to and reading the many messages made us realise just how much Jules had touched the hearts and minds of so many people all over the world," the family said. He is survived by his parents Philippe and Christine, his brother Tom and sister Melanie. |
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VashBandicoot
Post #9411
Does anyone use Gumtree much?. First time listing one of my motorcycles for sale and abit cautious about some guy wanting to buy it from Melbourne,willing to get a mobile mechanic to look over it for him and send the report. Does this sound like a scam or genuine?. Try calling the number and see if it goes through or not. Usually can tell from that if they're a person or spambot |
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Doc
Post #9413
as much as i like Kevin James i couldnt watch all of Mall Cop2.. first one was a good laugh but this one Does anyone use Gumtree much?. First time listing one of my motorcycles for sale and abit cautious about some guy wanting to buy it from Melbourne,willing to get a mobile mechanic to look over it for him and send the report. Does this sound like a scam or genuine?. which one did you sell? |
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Dai.
Post #9414
I did have a 2005 R1 but was sold 3 months ago[2000km's in 7months],purchased a TL1000R 5 weeks ago but since owning and riding,the neck has decided to give me issues so the bike is being sold to recoup some money. Turns out my body can't handle crotch rocket anymore,my last accident i landed on my neck/spine at 80kph when an Indian pulled out in front of me. |
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